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Archive for the 'Author Interviews' Category

Thursday, August 6th, 2015

Watch Gabriel Weimann discuss “Terrorism in Cyberspace”

Terrorism in Cyberspace

This week our featured book is Terrorism in Cyberspace: The Next Generation, by Gabriel Weimann, with a foreword by Bruce Hoffman. Today, we are happy to present a video interview with Weimann from the Woodrow Wilson Center’s Wilson Center Now, in which Weimann discusses his new book, the current state of cyberterrorism, and what governments can do in response.

Don’t forget to enter our book giveaway for Terrorism in Cyberspace!

Wednesday, January 14th, 2015

An interview with Daniel Yacavone, author of “Film Worlds”

Film Worlds

The following is an interview with Daniel Yacavone, author of Film Worlds: A Philosophical Aesthetics of Cinema:

Q: How would you situate Film Worlds within film theory and the expanding field of film and philosophy?

A: Over the past few decades there has been a notable turn towards philosophy in disciplinary film studies. One example is the influence of Gilles Deleuze’s writings on cinema (indebted to Henri Bergson and C.S. Peirce), which film theorists have found productive to engage with; another is the widespread interest in phenomenology – particularly Maurice Merleau-Ponty’s version of it – in relation to perceptual, affective, and ‘embodied’ aspects of films and film viewing. More or less simultaneously, within Anglophone academic philosophy there has been a renewed interest in how some films dramatize philosophical issues and problems, in the question of whether cinema can serve as a medium for philosophical thought and argument, and the relation between films and their experience and issues in the philosophy of perception, cognition, and emotion (as overlapping with cognitive film theory).

In relation to all of the above it is important to distinguish between philosophy in film and the philosophy of film. My interests have been mainly in the latter, and it is here that the long and fascinating tradition of aesthetics and the philosophy of art can be fruitfully brought to bear on certain topics in modern and contemporary film theory. Curiously, in the midst of the aforementioned philosophical turn in film theory and the growing ‘film-philosophy’ movement this is a tradition that many theorists and philosophers alike have tended to bypass, even when discussing cinematic representation, expression, authorship, and other issues that it may illuminate (there are of course notable exceptions). In its exploration of the world-like nature of films and their experience, Film Worlds attempts to show the continued relevance of insights drawn from general aesthetics and the philosophy of art to cinema and to contemporary film theory and the philosophy of film. (more…)

Wednesday, January 7th, 2015

Two interviews with Daniel Cloud on “The Domestication of Language”

The Domestication of Language

This week our featured book is The Domestication of Language: Cultural Evolution and the Uniqueness of the Human Animal, by Daniel Cloud. Throughout the week, we will be posting content from and about the book and it’s author. Today, we are happy to present two podcast interviews with Daniel Cloud, one from the New Books In network and one from the Smart People Podcast.

Don’t forget to enter our book giveaway for The Domestication of Language!

First, Cloud spoke with the New Books in Big Ideas podcast about the puzzles raised by looking at prehistoric linguistics through an evolutionary eye, in particular: “why is human language and culture so astoundingly complex?” (more…)

Tuesday, January 6th, 2015

Humans Aren’t Influenced by Culture–We Create It

The Domestication of Language

This week our featured book is The Domestication of Language: Cultural Evolution and the Uniqueness of the Human Animal, by Daniel Cloud. Throughout the week, we will be posting content from and about the book and it’s author. Today, we have excerpted parts of “Humans Aren’t Influenced by Culture–We Create It,” an interview with Daniel Cloud that appeared in Quartz. You can read the interview in its entirety here.

Don’t forget to enter our book giveaway for The Domestication of Language!

Quartz: The first chapter of your book discusses the origin of words. If we were to ask the average person, “Where do words come from?” what do you think would be the most common answer?

Daniel Cloud: They’ll think about it carefully for a minute or two and they’ll report out some version of behaviorism. They’ll say, “Well, there must have been two monkeys sitting around, one of the monkeys made a noise every time it did some action, other monkeys came to associate that noise with the action, and then we went on from there.” I think that’s the cultural myth about this. That’s the image of the origin of language that’s been dominant since the Greeks.

Quartz: So according to this idea, the development of language is completely out of our control.

Cloud: Well, that’s one thing that’s wrong with it. It’s not faithful to psychological reality or everyday life. I guess I would call it science fiction. It’s a theory about some events that happened in the distant past, which nobody ever observed, but that seem plausible. Things like that are inevitably just some old bit of philosophy that somebody dredged up. (more…)

Wednesday, December 17th, 2014

How Expectations and Uncertainty Affect the Economy — An Interview with Eric Barthalon

Uncertainty, Expectations, and Financial Instability

The following is an interview with Eric Barthalon, author of Uncertainty, Expectations, and Financial Instability: Reviving Allais’s Lost Theory of Psychological Time.

Question: What is your book about?

Eric Barthalon: Uncertainty, Expectations and Financial Instability is about what we call “expectations” and the pro-cyclical responses they trigger. I argue that, under uncertainty, we infer the future largely from our experience of the past, and I show how Allais’s lost theory of psychological time gives an operational and testable content to this intuition or hypothesis.

Q: What exactly do you mean by uncertainty?

EB: When we throw four dices repeatedly, we cannot tell the outcome of each throw, but experience as well as mathematics tell us very precisely what we should expect: there will not be many instances where the sum of the four dices is either 4 or 24; most of the throws will yield a result close to 14. This is a situation of “known unknowns” or risk, in which it would be insane to expect a throw to yield either a 2 or a 30, and—even if the first throws are not close to 14—it would be equally insane not to expect the average of the throws to converge toward 14. In such risky situations, our expectations should be identical to the model’s forecasts. This is the very definition of rational expectations. (more…)

Monday, December 15th, 2014

A Q&A with Janet Poole on Modernist Literature in Korea

When the Future Disappears

The following is an interview with Janet Poole, author of When the Future Disappears: The Modernist Imagination in Late Colonial Korea.

Q: Your book deals with an extraordinary group of writers working in Korea at the height of Japanese occupation during the Asia-Pacific War. How did you first become interested in their work?

JP: When I was first studying Korean and living in Seoul, there were these uncanny ways in which the colonial past seemed to exert an ongoing effect in the present. For instance, old people would come up to me in the street, when I was standing at a bus stop for example, and start talking to me in Japanese. Luckily I had learnt Japanese and could answer! But what really intrigued me was that they would not be surprised when I answered them in Japanese, but would just carry on having a regular conversation with me. This had never happened to me in Japan. I became interested in the history of colonialism and especially the ways in which it left traces in language and language use. Naturally—as a fiction lover—I started to read novels and short stories from that time. I had learnt that colonial occupation had been brutal and, most of all, that it had prevented Koreans writing in Korean, especially as the Asia-Pacific War intensified. But when I picked up books of canonical short stories—the best loved in the nation and the like—so many of them were written in the late 1930s. It seemed such a contradiction that the stories most heralded still today had been written when supposedly Koreans had the least possibilities for expression. That’s what got me interested. (more…)

Friday, November 14th, 2014

Francisco Varela and Waking, Dreaming, Being

Waking, Dreaming, Being

This week our featured book is Waking, Dreaming, Being: Self and Consciousness in Neuroscience, Meditation, and Philosophy, by Evan Thompson, with a foreword by Stephen Batchelor. In today’s post on the final day of our feature, we are happy to post an excerpt from a fascinating interview of Thompson conducted by Joy Stocke at the Wild River Review. In the interview, Stocke and Thompson discuss the importance of his upbringing to his work, the influence of Francisco Varela, and the Dalai Lama, among many other topics, though we’ve chosen to focus on the discussion of Francisco Varela for this excerpt.

Don’t forget to enter our book giveaway for a chance to win a free copy of Waking, Dreaming, Being!

WRR: Your book, ultimately, is a meditation on consciousness. Is consciousness wholly dependent on the brain or does it transcend the brain

Thompson: That’s the fundamental question of the book. I felt compelled to write about it because it kept coming up for me in different ways, some of which were personal and some intellectual. On a personal level I thought about the question a lot when I was working intensely with my friend and mentor, Chilean neuroscientist, Francisco Varela, just before he died. He was terminally ill and we knew that at some point soon he was going to die.

I write about the last real conversation I had with him, how it centered on consciousness and the question of its transcendence. It was fall of 2000 and Cisco and I were in my dad’s apartment in New York on the Upper West Side, writing a scientific article about consciousness and the brain. We weren’t raising that question at all in the article but we were talking about it a lot when we weren’t working. Cisco was a Buddhist, and knew that he was going to die soon, so transcendence was something he was contemplating. From a Tibetan Buddhist perspective, consciousness is the most fundamental luminous nature of awareness, underlying more ordinary cognitive forms of the mind, and it’s not considered to be brain dependent. Cisco took this perspective very seriously, but he was a neuroscientist, so he was also skeptical and doubtful.

The experience of talking to Cisco about this and watching him die and feel the loss intensified the question for me. It was a question that I had always thought about, having studied Asian and Western philosophy, but also having grown up in the New Age and yoga world where it was just taken for granted that people had multiple lives and that consciousness carried on after physical death. (more…)

Wednesday, November 12th, 2014

Evan Thompson talks to Tricycle Magazine

Waking, Dreaming, Being

This week our featured book is Waking, Dreaming, Being: Self and Consciousness in Neuroscience, Meditation, and Philosophy, by Evan Thompson, with a foreword by Stephen Batchelor. Recently, Thompson spoke to Tricycle Magazine about his book, his view of the mind, and mindfulness as an object of scientific scrutiny. We’ve excerpted parts of this interview below.

Don’t forget to enter our book giveaway for a chance to win a free copy of Waking, Dreaming, Being!

Almost two and a half decades ago, in The Embodied Mind, you critiqued a notion of mind that was already prevalent then and that continues to frame much of the current neuroscience research on meditation. What is that view, and what is wrong with it?
We criticized the view that the mind is made up of representations inside the head. The cognitive science version says that the mind is a computer—the representations are the software, and the brain is the hardware. Although cognitive scientists today don’t think the brain works the way a digital computer does, many of them, especially if they’re neuroscientists, still think the mind is something in the head or the brain. And this idea shows up in the neuroscience of meditation. But this idea is confused. It’s like saying that flight is inside the wings of a bird. The mind is relational. It’s a way of being in relation to the world. You need a brain, just as the bird needs wings, but the mind exists at a different level—the level of embodied being in the world.

What’s your alternative view of the mind?
The alternative view we put forward is that cognition is a form of embodied action. “Embodied” means that the rest of the body, not just the brain, is crucial; “action” means that agency—the capacity to act in the world—is central. Cognition is an expression of our bodily agency. We inhabit a meaningful world because we bring forth or enact meaning. We called this view “enaction” or the “enactive approach.”

In the enactive approach, being human is a matter of inhabiting the human world of culture and shared bodily practices. Of course we need our brain to do this, but we also need that world to be in place in order for the human brain to develop properly. The brain is what philosophers call a necessary “enabling condition” for mind and meaning, while enculturation is a necessary enabling condition for the brain. What’s important is not just what is inside the brain but what the brain is inside of—the larger space of the body and culture. That is where we find mind and meaning. (more…)

Friday, October 10th, 2014

Interview with Amrita Pande, author of Wombs in Labor

Wombs in LaborThe following is an interview with Amrita Pande, author of Wombs in Labor: Transnational Commercial Surrogacy in India:

What made a sociologist choose a topic like surrogacy?
Well, it started with a short newspaper article I read in 2006. Surrogacy was still at its infancy in India and the article – just about 400 words – described it as India’s new form of outsourcing. This newsarticle really unsettled me. Flashes of Canadian feminist Margaret Atwood’s book The Handmaid’s Tale passed through my mind, where a class of women is valued merely as breeders of children of the privileged race and class. I was then a doctoral student at UMASS Amherst and I have to confess the idea that my country would now be stereotyped as a land of not just child laborers, and “slumdogs” but also baby farms made me very queasy! After some quick digging around, I realized that there was no research (academic or otherwise) on this rather critical issue. So began my ethnographic journey into the first country in the global south to have a flourishing industry in both national and transnational surrogacy. (more…)

Tuesday, August 5th, 2014

Video: Wendy Law-Yone Discusses “A Daughter’s Memoir of Burma”

In the following video, Wendy Law-Yone discusses her new book A Daughter’s Memoir of Burma at the Frontline Club in London. (Please note, the British title for her book is Golden Parasol: A Daughter’s Memoir of Burma):

Wednesday, March 12th, 2014

Philosophy as Narrative, Dialogue, Disruption: An Interview with Paul W. Kahn

Finding Ourselves at the Movies: Philosophy for a New Generation, Paul W. Kahn

Next up for our feature on Paul Kahn’s Finding Ourselves at the Movies, we highlight excerpts from the author’s recent interview with Critical Margins. Here, Kahn details some of the themes found in his book, as well as touches on some of the problems faced by philosophy today and how film can help to address them.

First of all, Paul, one of the first statements in your book is the following, “philosophy begins with narrative, not abstraction.” Could you give us some examples from both ancient times and our own day?

While there are fragments preserved from the pre-Socratics, Western philosophy begins its written tradition with Plato. Plato, however, wrote nothing that we would identify as a philosophical text. He wrote something that looked considerably more like drama. They were dialogues that addressed particular questions in a dramatic context.

The tradition of writing dialogues continued for some time in classical thought. Cicero and Seneca, for example, wrote dialogues. In modern philosophy, David Hume’s Dialogues Concerning Natural Religion may be the most famous. The narrative form of reflective inquiry is rooted for Westerners in Christ’s use of parables. Modern philosophers have sometimes used a narrative form – most famously in Nietzsche’s Thus Spoke Zarathustra. In popular culture, I am reminded of the very successful work Zen and the Art of Motorcycle Maintenance by Robert Pirsig.

You say, “Increasingly, what we have in common is the movies.” Is that mainly because so many movies now are of the blockbuster type that millions flock to whereas other forms of media that we once shared (e.g., the evening newscast) have declined?

It is true that the movies that we most share are the blockbusters, which link us to audiences around the world. There is nothing else quite like that, except perhaps some television series that endlessly rerun, and maybe the Oscars. Movies with less popular appeal than blockbusters often link the members of smaller groups. We share the viewing habits of those with whom we are likely to find ourselves. I suspect that whatever we see, we want to talk about with our friends, partners, coworkers, and associates.

One of the aims of your book is to discuss the relationship between film and philosophy. On that note, could you please tell us what films you think reflect this statement from your book, “To imagine the possible is to construct a narrative?”

Every movie imagines the possible through the construction of a narrative. An account of natural development does not include the possible. We don’t say that an earthquake was one of several possible events. We say it happened and it had to happen because of shifts in the tectonic plates that preceded it. A narrative does not work that way. A narrative always sets the actual against the possible. We are interested in human stories because of the choices made, but choice requires a belief that other possibilities were present – the choice could have been different.

(more…)

Wednesday, March 12th, 2014

Does Multiverse Theory Bring Theology Into Science? An interview with Mary-Jane Rubenstein

Worlds Without End

In a recent interview with Andrew Aghapour at Religion Dispatches, Mary-Jane Rubenstein, author of Worlds Without End: The Many Lives of the Multiverse discusses her inspiration for studying the history of the idea of the “multiverse,” the complex philosophical and religious underpinnings of the idea of many worlds, and how religious thought is present in modern scientific multiverse theories.

What initially inspired you to write Worlds Without End?

Five or six years ago, I was clamoring to find something to write for a conference on energy, a topic about which I knew nothing at all. One morning, I came across a feature in the New York Times Magazine on “dark energy”: the negative pressure that’s accelerating the expansion of the universe, causing galaxies to race away from one another faster and faster as time goes on.

I was struck not only by the metaphorics of this substance (it’s said to be “dark,” “mysterious,” “strange,” “creepy”) but by the psychological instability it seemed to be causing among the researchers who discovered it (“no one expected this,” “it’s like hell without the fire,” “we’ll never understand this thing but we can’t not study it”). This was my entry point: as someone who studies the history of philosophy and theology, I was fascinated by a group of scientists professing a freaked-out, studious devotion to an inscrutable darkness. (more…)

Thursday, February 20th, 2014

The Post-Book

Permission

As close readers of our blog might have noticed in our recent New Book Tuesday posts, we are now distributing Dalkey Archive Press. Needless to say, we are very excited to be working with one of the leading publishers of avant-garde fiction and literature in translation. Today, we have a fascinating excerpt from a conversation in BOMB Magazine’s BOMBlog between S. D. Chrostowska, author of Permission, and Kate Zabreno. The two “discuss Permission, the vagaries of readership and publicity, rag-bags, and the transgressive novel as essay, commodity, and monster.” You can read the interview in its entirety here.

The Post-Book
S. D. Chrostowska

… By semi-public I did not mean small presses and poetic novels. I am not arguing for writerly oblivion, for self-mortification for the sake of Literature, unless as a ritual of asceticism. The existence of this literature is, as you point out, largely funded, dependent on grants and academic support. I am not romanticizing this. And I share what I take to be your concern over the increasingly public nature of writing as encouraging automatic over-sharing and self-indulgence. I think the book industry still keeps a tight rein on this, but not for long as literary publishing continues its transition to the digital. The blog and the book each have something to offer us. The blog is great for unlacing, for defining oneself by overstepping limits normally in place or, in the way you conceive it, as a counterattack against self-censorship, against the self-discipline that leads to partial self-erasure. The idea that no one reads us does, as you say, liberate, and publicness constrains. Anonymity is not the answer because we identify with Anon too. Nor is the answer to the problems that come with publicity to be found in the handwritten diary—not, anyway, for the self-aware writer who expects his/her private work to fall into the hands of others. As the standards relax thanks to the fluidity of written communication, professionalism and relative formalization catch up with us in the permissive online environment, which is neither a womb nor a solipsistic mind.

I am trying to highlight that there is no escape from publicity if you are a dedicated writer. Giving it up is not an option. One can resist some of it, discipline oneself spiritually for being overly invested in one’s public self, distracted from core concerns. And one can certainly fight against its pernicious systemic effects. This is what I find so refreshing and valuable in your work.

Isn’t it possible for the tide to turn? For certain writers to become semi-private without feeling they are sacrificing something—ambition, praise, recognition? For writers to go underground, where it is safe to say that with the aid of modern technology their work will be preserved for those who come later when the tide turns again? For writers to embrace ephemerality, not as preparatory for the real work of writing, not as a means of working up to the world of the book, but as valid in itself? For writers—some writers at least, or for some of the time—to self-semi-publish? (more…)

Thursday, November 14th, 2013

Joseph Cirincione talks Iran with Fareed Zakaria

Nuclear Nightmares

This week our featured book is Nuclear Nightmares: Securing the World Before It Is Too Late by Joseph Cirincione. Throughout the week, we will be featuring content about the book and its author on our blog as well as on our Twitter feed and our Facebook page. Today, we have a video from Joseph Cirincione’s recent interview with Fareed Zakaria

Don’t forget to enter our book giveaway for a chance to win a free copy of Nuclear Nightmares!

Thursday, October 10th, 2013

Antonio Negri in conversation with Gabriele Fadini

Spinoza for Our Time

This week our featured book is Spinoza for Our Time: Politics and Postmodernity, by Antonio Negri, translated by William McCuaig and with a foreword by Rocco Gangle. We’ve excerpted brief parts of a longer conversation between Antonio Negri and Gabriele Fadini from the journal Rethinking Marxism, in which Negri discusses the role of political theology in relation to his own political philosophy.

Be sure to enter our Book Giveaway for a chance to win a free copy of Spinoza for Our Time!

Materialism and Philosophy

Gabriele Fadini: … [T]heology can be seen as a constituent element of revolutionary process even without knowing it as such. Thomas Muntzer and his political theology ofthe revolution gives us an example, and nowadays some of his ‘‘descendants’’ like Camilo Torres and the liberation theology movement continue the struggle for liberation in Latin America, leading us to reflect on these themes. What are your thoughts about this tradition?

Antonio Negri: At times there is a certain type of theology that intersects with revolutionary events. It is necessary, however, to clearly designate exactly what kind of theology we are speaking about. We must be clear here because it is equally certain that not all theologies cross revolutionary phenomena but, on the contrary, there are some theologies that cross the opposite of revolution: namely, pure ideological reproduction of Empire.

Theology becomes important for revolutionary thinking when charity and love (agape and amor) are assumed to be unrestrainable powers–where, in other words, the same logos, the same rationality is placed at love’s disposal. From this point of view, amor has first an epistemological, and then soteriological, importance. That is, it is love that individuates which are the forces and the powers that can develop the common and, through the common, realizes more and more charity. This epistemological power of love is joined to a power of liberation. Liberation here emerges as a thorough materialism, which moves from a focus on soteriology to all-out revolution. In this sense, it is necessary to try to understand what is the relation between charity and poverty, love and poverty–that is, the relation between theology and history, theology and politics.

There are two paths. The first is one in which poverty is equated with power, and so the relation between theology and politics is possible because poverty is the capacity to express different forms of love, the organization of passions, and ultimately the unfolding of desire. In the second, poverty is that flat and desperate situation that only the transcendental can redeem. It is clear that it is only the first conception of poverty that can make amor operational. That is, it is clear that only the nonmystical determination of poverty can give love a political role.

(more…)

Thursday, September 12th, 2013

Interview with Writer and Filmmaker Zhu Wen

The Matchmaker, the Apprentice, and the Football Fan: More Stories of China, by Zhu Wen

In keeping with our featured book this week, Zhu Wen’s The Matchmaker, the Apprentice, and the Football Fan, we cover today a 2011 interview of Zhu Wen, conducted by the Wang Ge of Timeout Beijing.

In the interview, Wang discusses the multitude of Wen’s creative personas, namely as a novelist, engineer, philosopher and film-maker and he interviews Zhu about his upcoming movie release, Thomas Mao.

Wang first heard of Zhu Wen in 2002 when the bad-boy writer-film director was a guest on a radio talk show where the interviewees had been asked to bring along a book, a film and an album to represent themselves. According to him, Zhu was automatically painted as some kind of anarchist:

Ge: In 2002, he [Zhu] was still better known as a novelist, having quit his factory job in 1994 to become a writer. He didn’t join the directorial ranks until 2001, with cultish debut Seafood. The film chronicles the story of a Beijing prostitute who travels to Beidaihe to kill herself, and it flew under the radars of most film lovers. It wasn’t until his second feature, South of the Clouds (2003), the tale of a doleful-eyed retiree’s journey of self-discovery to Yunnan, that Zhu announced himself to the world. Then he disappeared. Many thought the director had quit filmmaking for good, but now he’s back with Thomas Mao – and it’s every bit the head trip you’d expect.

The film [Thomas Mao] is divided into two parts. The first half shows the cultural clashes between an Inner Mongolian yurt owner (played by artist Mao Yan) and a foreign artist (played by Thomas Rohldewald), who shares his tent for a night. The twist comes in the second half, where fiction transforms into ‘documentary’, and Zhu turns his camera on the real-life Mao Yan and his working relationship with Rohldewald, a long-time artistic collaborator.

Zhu: Both of them are good friends of mine, but it all came together when I finally figured out how the two artists are connected in their own separate realities. There was this ancient Chinese philosopher called Zhuangzi, and he dreamt of becoming a butterfly. Then he woke up and was confused as to whether he had dreamt he was a butterfly, or if he was a butterfly dreaming he was Zhuangzi. The boundaries between reality and dreams can blur together so easily that I can only explain them through their different incarnations.

The plant I worked in was built to produce machine parts, but then the Soviet Union was gone, production was stranded. So I spent my days and nights gathering my colleagues together to play poker. The factory authorities found out about this and threatened to fire me for gambling, which is illegal. Then, all of a sudden, the plant recovered, production began and skilled engineers were needed. So they called me back when I’d already packed my bags. But one day, when I finished work for the day, I looked at all these assembly lines and thought: What am I doing here?

(more…)

Wednesday, September 11th, 2013

An Interview with Translator Julia Lovell

The Matchmaker, the Apprentice, and the Football Fan: More Stories of China, by Zhu Wen

In keeping with our featured book this week, Zhu Wen’s The Matchmaker, the Apprentice, and the Football Fan, we cover today an interview with the book’s translator Julia Lovell, conducted by the Los Angeles Review of Books.

In the interview, Lovell discusses the compelling points of translating The Matchmaker, the Apprentice, and the Football Fan, especially as the book compares to both Zhu Wen’s previous collection of short fiction, I Love Dollars, and other prominent contemporary Chinese writers.

Don’t forget to enter our book giveaway for a chance to win a FREE copy of The Matchmaker, the Apprentice, and the Football Fan!

On Zhu Wen’s Stories and Other Works of Chinese Fiction: A Q & A with Julia Lovell

Jeffrey Wasserstrom: In an endorsement of the new collection, Jonathan Spence, who praised I Love Dollars in the London Review of Books, says that this “second volume of short stories” is “both darker and denser than the first.” Does that fit with your feeling about the new book or would you characterize the contrast differently?

Julia Lovell: I think that’s a perceptive comment by Jonathan Spence. There was plenty that was shocking and dark about the first collection – in particular, the kind of careless amorality that some of the stories diagnosed in 1990s China. But there was also, I think, a strand of humor, a strong appreciation of the farcical, running through some of the pieces. That’s less dominant in the new collection. Two of the stories that take a more conversational, absurdist take on life in the People’s Republic – “Da Ma’s Way of Talking” and “The Apprentice” – are also overtly tinged with sadness. The relaxed, humorous narration of the first story contrasts with its ending; in the second piece, the lightly sardonic tone blurs into the narrator’s sense of despairing melancholy as he feels increasingly trapped by his future in the socialist economy. At the same time though, I think that the new volume offers more thoughtful insights into human relationships, and into the impact of political pressures on day-to-day life.

But I’m still very drawn to work that showcases the more relaxed side of Chinese culture. At the moment, I’m working on a new abridgement of Journey to the West, a book from the imperial Chinese canon that fizzes with humorous irreverence. Stodgy Neo-Confucians, covetous Buddhists and libidinous Taoists – all are mocked in the novel; at one point, the book’s hero, the Monkey King, even urinates on the hand of the Buddha.
(more…)

Friday, August 30th, 2013

An Interview with Adam Arvidsson and Nicolai Peitersen

The Ethical Economy

As we continue our week-long feature of The Ethical Economy: Rebuilding Value After the Crisis, by Adam Arvidsson and Nicolai Peitersen, we look to the authors’ interview with Zoe Romano at Digicult as they discuss the ideas of productive publics, economy reputation, and their joint role in the plausible shift toward an Ethical Economy.

Don’t forget to enter our book giveaway for a chance to win a FREE copy of The Ethical Economy!

Ethical Economy. The New Distribution of Value

Zoe Romano: How do you see ethical phenomena like the signal of the emergence of a new way of production (what you call ‘Ethical Economy’) in addition to the emergence of a market niche, a term often used and abused to clean up the image of a company? Are we really facing a substantial change?

Adam Arvidsson & Nicolai Peitersen: The reason why these phenomena do not represent only a market niche is because they are companies’ and brands’ rational response to a deeper structural change. This deep transformation is made of two main elements: On one hand there is the rise of what we call “the productive publics,” and on the other hand the growing of the economy reputation.
In the book we show how the “productive publics” are becoming increasingly important for the organization of both the immaterial and the material. The “productive publics” identify collaborative networks of strangers who interact in a highly mediatic way (which often doesn’t need the use of informatic networks or social media) and who coordinate their interactions through sharing a common set of values. By coordinating production in such a way, the productive publics are different from markets and bureaucracies, not only because they allow one to consider as good reasons a wider range of issues, but also because they tend to be highly independent in conferring a value to the productive contribution of their members. In the book, we suggest that the productive publics are becoming increasingly influential in the information economy, not only in alternative circuits like Free Software, but also within the corporate economy itself, especially around the immaterial assets that in some sectors reach two thirds of the market value. As a result, there is recent growing emphasis on ethics and social responsibility in corporations which can be understood as an attempt to accommodate the orders of worth promoted by the productive publics.
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Friday, August 23rd, 2013

On Being a Sports Statistician: more interviews with Ben Alamar

Global Intellectual History

This week our featured book is Sports Analytics: A Guide for Coaches, Managers, and Other Decision Makers, by Benjamin C. Alamar, with a foreword by Dean Oliver. Today, the last day of our book giveaway, we have an excerpt from a couple of print interviews with Ben Alamar on his book, the use of statistics in organizations, and how one should prepare for a career as a sports statistician. The first of these two interviews can be found in its entirety on the Sports Analytics Blog, and the second at STATtr@k.

Sports Analytics Blog Interview

SA Blog: What made you decide to switch from “Corporate America” (where you worked for PwC) to the sports industry?

Ben: I switched careers as soon as I realized that I might be able to create a career in sports for myself. I grew up as a sports junky, but not a baseball fan, so it was not until after I had finished graduate school that I became aware of Bill James and the use of statistical analysis in baseball. Once I saw what was happening in baseball, and I had the good fortune of working with Aaron Schatz, Roland Beech and Jeff Ma at Protrade, I was sold. The possibility to apply these tools in football and basketball were too exciting to me to pass up.
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Thursday, August 22nd, 2013

Interviews with Ben Alamar

Global Intellectual History

This week our featured book is Sports Analytics: A Guide for Coaches, Managers, and Other Decision Makers, by Benjamin C. Alamar, with a foreword by Dean Oliver. Today, we have a couple of great interviews with Ben Alamar, one with Grantland’s Zach Lowe and one with BBall Breakdown’s Coach Nick.

Enter our book giveaway for a chance to win a free copy of the book!

Zach Lowe and Ben Alamar: “The Thunder Almost Drafted Brook Lopez Instead of Russell Westbrook”

Coach Nick and Ben Alamar: “NBA Chat With Ben Alamar – Analytics Consultant for the Cleveland Cavaliers”