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Archive for the 'Book of the Week' Category

Monday, October 20th, 2014

Book Givewaway! Berkshire Beyond Buffett

This week our featured book is Berkshire Beyond Buffett: The Enduring Value of Values by Lawrence Cunningham.

In addition to featuring the book and the author on the blog, we will also be posting about the book on twitter, and facebook. You can also follow news about the book on the Columbia Business School Publishing twitter page.

We are also offering a FREE copy of Berkshire Beyond Buffett to a lucky winner. To enter the contest please e-mail pl2164@columbia.edu and include your name and address. The winner will be selected Friday, October 24 at 1:00 pm.

Berkshire Hathaway, the $300 billion conglomerate that Warren Buffett built, is among the world’s largest and most famous corporations. Yet, for all its power and celebrity, few people understand Berkshire, and many assume it cannot survive without Buffett. This book proves that assumption wrong.

In a comprehensive portrait of the distinct corporate culture that unites and sustains Berkshire’s fifty direct subsidiaries, Lawrence A. Cunningham unearths the traits that assure the conglomerate’s perpetual prosperity. Riveting stories recount each subsidiary’s origins, triumphs, and journey to Berkshire and reveal the strategies managers use to generate economic value from intangible values, such as thrift, integrity, entrepreneurship, autonomy, and a sense of permanence.

Friday, October 17th, 2014

Video: Herve This takes us into His Lab to Show Us Note-By-Note Cooking

We conclude our week-long feature on Note-by-Note Cuisine: The Future of Food, by Hervé This, with this great video via the BBC. This takes us into his lab/kitchen to discuss and show us how to cook using the principles of note-by-note cooking and how to employ compounds into your dishes! Happy viewing and Bon Appétit!

Thursday, October 16th, 2014

Herve This on Why Note-by-Note Cooking Is Good for the Future of Food

“Thanks to note-by-note cooking, we have a whole new slew of cooking possibilities in front of us as well as new consistencies, new odors, new tastes, and new flavors.”—Hervé This

Herve This, Note-by-Note CookingThe following is a post by Hervé This, author of Note-by-Note Cooking: The Future of Food. (For more on the book, you can also read an excerpt or an interview with Hervé This):

Fittingly, Columbia University Press added “the future of food” on the cover of my new book since note-by-note cooking is truly the future of food and more and more chefs are exploring and employing its techniques in their cooking.

If you look to the current developments of culinary art, you don’t see much novelty except note-by-note cooking. Wild plants? The eminent French chef Michel Michel Bras has been cooking them for decades. Molecular cooking? Even if you call it “science-based cooking”, or “modernist cooking”, or “techno-emotional cooking” (what is this need to give more names when one was already given?), that was proposed as early as the 1980′s!

Yes, there is no newer proposal for culinary art than note-by-note cooking, and we are living a very exciting time. Thanks to note-by-note cooking, we have a whole new slew of cooking possibilities in front of us as well as new consistencies, new odors, new tastes, and new flavors.

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Wednesday, October 15th, 2014

Interview with Herve This, author of “Note-by-Note Cooking”

Herve This, Note-By-Note CookingThe following is an interview with Hervé This, author of Note-by-Note Cooking: The Future of Food:

“All food is ‘artificial’! Do you think that barbecue meat hangs ‘naturally’ on the trees of the wild forest?”—Hervé This

Question: How does note-by-note cooking differ from molecular gastronomy?

Herve This: Molecular gastronomy is a scientific activity, not to be confused with molecular cooking. Indeed, molecular gastronomy, being science, has nothing to do with cooking. In other words, science is not about making dishes. Science looks for the mechanism of phenomena. That’s all. And technology uses the results of science to improve technique. So, note-by-note cooking is a technique.

Another question could be, how is note-by-note cooking different from molecular cooking? And here the answer would be that the definition of molecular cooking is “to cook using modern tools” (such as siphons, liquid nitrogen, etc.). But you still use meat, vegetables, etc. However, with note-by-note cooking, the instruments are not important, and the big revolution is to cook with pure compounds, instead of meat, vegetables, fruits, eggs, etc.

Q: Where does the name Note-by-Note Cooking come from?

HT: In 1999, when I introduced the name “molecular cooking,” I was upset, because it was a bad choice, which had to be made for many complex reasons. Unfortunately, people now confuse molecular gastronomy and molecular cooking. So, For note-by-note cooking, I wanted a name that could appeal to artists and it’s fair to say that note-by-note cooking is comparable to a term such as electro-acoustic music.

Q: Won’t not-by-note cooking produce artificial forms of food?

HT: Yes, but all food is “artificial”! Do you think that barbecue meat hangs “naturally” on the trees of the wild forest? Or that French fries appear suddenly from potatoes? No, you need a cook, to make them. In ordinary language, “natural” means “what was not transformed by human beings”, and “artificial” means that it was transformed, it was the result of human “art”.

Instead of “artificial,” it is better to think of “synthetic”, and again in this sense, note by note is synthetic in a similar way as electro-acoustic music. But just listen to the radio and synthesizers are everywhere, often with sometimes beautiful sounds. Moreover, in art, the scope of what is possibile increases with more choices. And more choice is better!

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Tuesday, October 14th, 2014

Book Giveaway! Win a Free Copy of “Note-by-Note Cooking” by Herve This

Note-by-Note Cooking: The Future of Food, Hervé ThisThis week our featured book is Note-by-Note Cooking: The Future of Food by Hervé This.

In addition to featuring the book and the author on the blog, we will also be posting about the book on twitter, and facebook.

We are also offering a FREE copy of Note-by-Note Cooking to a lucky winner. To enter the contest please e-mail pl2164@columbia.edu and include your name and address. The winner will be selected Friday, October 17 at 1:00 pm.

Note-by-Note Cooking is a landmark in the annals of gastronomy, liberating cooks from the constraints of traditional ingredients and methods through the use of pure molecular compounds. Hervé This clearly explains the properties of naturally occurring and synthesized compounds, dispels a host of misconceptions about the place of chemistry in cooking, and shows why note-by-note cooking is an obvious—and inevitable—extension of his earlier pioneering work in molecular gastronomy.

Read an excerpt from the introduction, “Why the Need for Note-by-Note Cooking Should be Obvious”:

Friday, October 3rd, 2014

How Poverty and Income Disparities Influences Doctor-Patient Relations — Dennis Rosen

Dennis Rosen, Vital ConversationsWe conclude our week-long feature on Vital Conversations: Improving Communication Between Doctors and Patients, with an excerpt from the book in which Dennis Rosen explores how socioeconomic disparities affect communication between doctor and patient:

Even when socioeconomic disparities between physician and patient are not glaringly obvious, they can and often do heavily influence the quality of physician-patient communication during the visit as well as its outcomes. Researchers have found that patients from lower socio­economic backgrounds tend to participate less in medical decision making, which … results in lower adherence and higher overall health-care costs. These patients are also generally provided with less information and socioemotional support by their physicians. In contrast, patients from higher socio­economic backgrounds tend to be much more involved in the man­agement of their own care. There are many possible explanations for this, including societal boundaries that limit the scope of communi­cation between people of different social stations and differences in education levels that can impede the ability of physician and patient to find a common language. Whatever the reasons, however, the fact remains that some patients are consistently less engaged by physicians than others, with consequent effects upon their participation in defin­ing the parameters of their care and, ultimately, their adherence with the treatment.

Disparities in socioeconomic status can also have profound effects on how disease is contextualized and understood. In some cases, these can lead to active resistance on the part of patients to public-health disease prevention and treatment efforts. Marilyn Nations of Har­vard and Cristina Monte of the Federal University of Ceara Medi­cal School, Brazil, interviewed the indigent residents of two favelas (shantytowns) that were hit hard by the 1993 cholera epidemic. Their aim was to understand more fully why there had been such a high degree of resistance by the favelados to governmental efforts to control the outbreak, such as water purification and the use of prophylactic antibiotics. Nations and Monte confirmed that in many instances the favelados’ refusal to cooperate with the campaign was a response to a longstanding sense of marginalization and stigmatization, which was potentiated by the use of certain metaphors in the prevention cam­paign that seemed to blame them for becoming sick in the first place. By rejecting the government-sponsored prevention efforts, the fave­lados were also rejecting the stigma of being made responsible for the epidemic.

(more…)

Thursday, October 2nd, 2014

A Doctor, a Rabbi and a Chicken — Dennis Rosen

“Deeply held beliefs .. need not only to be recognized and respected, but also integrated into the therapeutic approach in order for treatment to succeed. It is a lesson that has served me well, and which has helped me to serve so many others over the years.”—Dennis Rosen, MD

Dennis Rosen, Vital ConversationsIn a recent New York Times op-ed entitled A Doctor, a Rabbi and a Chicken, Dennis Rosen, the author of Vital Conversations: Improving Communication Between Doctors and Patients, explores an odd yet pivotal moment in his medical career.

While working in a hospital in Israel, Rosen explained to the son of 75-year-old stroke victim what lay ahead for his father in terms of rehabilitation. The son then asked if a rabbi could enter his father’s hospital room. While such a request might not have been strange, what was different was that when the rabbi walked in the room he was carrying a live chicken and then proceeded to wave it above the patient’s head.

Rosen learned that it was a custom of the local Persian-Jewish community to help heal the sick. In describing the experience, Rosen writes:

I was very impressed by how deftly the son was able to maneuver between two very different belief systems explaining his father’s disease and paths towards possible recovery: biomedical and religious. As evidenced from our repeated discussions about tests and treatment plans for his father, he clearly understood — and valued — what modern medicine could offer. And yet, his belief in Divine mercy and intercession was unshakeable….

(more…)

Wednesday, October 1st, 2014

Staying Out of the Hospital — Dennis Rosen

Vital Conversations, Dennis Rosen The following post is by Dennis Rosen, author of Vital Conversations: Improving Communication Between Doctors and Patients

Hopefully, all of you will live long and healthy lives that will end peacefully in your sleep sometime after seeing your youngest great-grandchild head off to college. Unfortunately, it will be a lot less rosy for most of us. Disease and illness are natural parts of our lives, and as science and technology advance people now live longer—and with more coexisting medical conditions—than ever before. As we get older we tend to consume more medications, and the likelihood of being hospitalized because of an acute health crises increases.

Unfortunately, the high cost of health care has resulted in growing pressure to shorten the length of stays in hospital as much as possible. And while there are many good reasons for doing this—reduced expense, lower likelihood of picking up a secondary infection or experiencing a medical error)—there can be significant downsides as well. Among these are the risks patients face when sent home from the hospital before they are well enough to care for themselves or before they understand how it is, exactly, that they are supposed to do so.

Almost one in five Medicare patients discharged from the hospital will be readmitted within the next thirty days. Interestingly, this also corresponds to the percentage of patients who experience an adverse medical event or complication, two thirds of which involve the medications they are taking. This suggests that better pre-discharge patient education needs to take place. And yet, one study of adult patients being discharged from a large academic hospital in New York found that only 28 percent could name all their discharge meds (on average, fewer than four), and that almost two thirds did not understand why they had been prescribed the medications in the first place.

Although this information is supposed to be included in a printed discharge summary, it is often not as clear as it should be, or even that easy to find among the many pages of small-font verbiage. Let’s not forget as well, that many patients are too anxious, in pain, or simply hazy from the meds they’re on to make sense of the discharge summary as carefully as they should. When you add in the fact that more than one third of Medicare patients possess marginal or insufficient health literacy skills, it’s surprising that the rate of adverse medical events following discharge is as low as it is.

(more…)

Tuesday, September 30th, 2014

Interview with Dennis Rosen, author of “Vital Conversations”

Vital Conversations, Dennis RosenThe following is an interview with Dennis Rosen, author of Vital Conversations: Improving Communication Between Doctors and Patients:

Question: So what is Vital Conversations about?

Dennis Rosen: Vital Conversations is about why good communication between doctors and patients is so important to achieving better—and less expensive—health outcomes. It explores many of the reasons that this communication becomes compromised, such as cultural and socioeconomic differences; stigma and bias; and external meddling in the actual content of the medical visit that takes away from the direct face time between doctors and patients. Vital Conversations concludes with clear suggestions—for both patients and doctors—about ways each can improve the quality of their interactions in order to get more out of them. It also provides suggestions for how the health-care system can prioritize this issue in ways that will serve us all.

Q: I notice you spend a lot of time in Vital Conversations discussing how cultural differences between patient and physician influence the quality of their communication. What made you decide to focus on this?

DR: I’ve spent most of my own life moving among different cultures. I was born in the US, lived in Canada until I was 15, then in Israel for the next 19 years, and have been living in Boston since 2001. I completed my medical education and pediatric residency in Israel, and did additional training as a resident and fellow at Boston Children’s Hospital before becoming an attending physician eight years ago. I have also worked in Haiti and Guatemala several times over the last five years. All of these experiences have given me deep insight into how the ways we perceive and understand what happens to and around us influence our ability to explain it to others, and to understand their explanations in turn. When the underlying concepts are different, this can become very difficult.

Although magnified when working with people from different cultures—and let’s not forget that one quarter of American physicians were trained abroad—it is also true even when both doctor and patient are of the same culture. One issue that I explore in Vital Conversations is the differences between the objective disease, subjective illness as experienced by the patient, and sickness as defined by society. A person with a broken finger has obvious disease, and the illness process she is suffering as a result is likely to be straightforward to the physician. By virtue of this shared understanding, the doctor’s treatment recommendations are likely to be easily understood and carried out by the patient. However, a person who comes to the doctor’s office and is found to have high blood pressure may feel absolutely fine, i.e. have disease without illness. Unless the doctor is able to convince him of the need to take medications to keep the hypertension from leading to heart disease or stroke, he may be inclined to stop taking the medicine at the first sign of side effects, leading to progression of disease.

All throughout the book I’ve included numerous personal stories and vignettes from my career as a physician that illustrate these and other points I make. Even though I wish I could claim otherwise I still don’t always get it right, despite my best attempts to, as the stories make clear. As fascinating and entertaining as the stories themselves are, I think that they really drive home the central message of the book, which is that good communication between doctors and patients is vital for medical care to be effective.

(more…)

Monday, September 29th, 2014

Book Giveaway! Vital Conversations by Dennis Rosen

Vital Conversations, Dennis RosenThis week our featured book is Vital Conversations: Improving Communication Between Doctors and Patients by Dennis Rosen, MD.

In addition to featuring the book and the author on the blog, we will also be posting about the book on twitter, and facebook.

We are also offering a FREE copy of Vital Conversations to a lucky winner. To enter the contest please e-mail pl2164@columbia.edu and include your name and address. The winner will be selected Friday, October 3 at 1:00 pm.

The health-care system in the United States is by far the most expensive in the world, yet its outcomes are decidedly mediocre in comparison with those of other countries. Poor communication between doctors and patients, Dennis Rosen argues, is at the heart of this disparity, a pervasive problem that damages the well-being of the patient and the integrity of the health-care system and society.

Drawing upon research in biomedicine, sociology, and anthropology and integrating personal stories from his medical practice in three different countries (and as a patient), Rosen shows how important good communication between physicians and patients is to high-quality—and less-expensive—care.

Read an excerpt from the first chapter “Better Outcomes, Lower Costs”:

Friday, September 26th, 2014

From Radio to Film … And Beyond — Rey Chow

“Long before I came to study film academically, these visits [to my mother's film studios] had opened my eyes to the utterly fragmentary making of the artwork in the age of technical reproducibility.”—Rey Chow

Rey Chow, Not Like a Native SpeakerWe conclude our week-long feature on Not Like a Native Speaker: On Languaging as a Postcolonial Experience with another excerpt from the book’s final chapter “The Sounds and Scripts of a Hong Kong Childhood”. In the following passage she explores the influence of her mother’s film career on her own writing and intellectual development:

Because of my mother’s involvement with film, I had opportunities to visit film studios during the time when some of her scripts were being shot. Long before I came to study film academically, these visits had opened my eyes to the utterly fragmentary making of the artwork in the age of technical reproducibility. If, say, a particular corner of a living room was the focus, the rest of the room could be left in chaos, filled with makeshift equipment, un­used props, and other messes as long as they did not intrude into the frame to be captured on camera. In a face-to-face dialogue between a female char­acter and a male character that was shot from the waist up, an actress who was somewhat short could be made to stand on a phonebook so that her height in relation to the actor would appear aesthetically proportionate on screen. On yet another occasion, I was captivated by the skilled martial arts movements performed by a well-known actress (Chan Bo-jue/Chen Baozhu) playing an assassin. Those movements were shot while a whole group of us bystanders were in the movie studio, but when the scene was shown in the movie theater, the cinematographic illusionism had been ren­dered so complete by the editing process that the actress’s stunts appeared as though they had happened all by themselves in another world, miraculously devoid of us, the witnesses.

Inspired by these films, I wrote, at the age of about ten, the synopsis of a film featuring a modern-day female knight errant called White Rose. My mother showed my penciled draft to one of her director friends, Mok Hong-see/Mo Kangshi, who reportedly said it was an interesting story. Needless to say, I was very disappointed that he did not proceed directly to filming my script!

(more…)

Thursday, September 25th, 2014

Rey Chow — The Sounds and Scripts of a Hong Kong Childhood

Rey Chow, Not Like a Native SpeakerIn “The Sounds and Scripts of a Hong Kong Childhood,” the final chapter of Not Like a Native Speaker: On Languaging as a Postcolonial Experience, Rey Chow explores elements of her own upbringing in colonial Hong Kong. In the following passage, she discusses her mother’s career as a popular radio broadcaster and performer:

So, how does the story end? What happens to that woman character? And her frail cousin, the one who is secretly in love with her husband? “Please tell us!” According to my mother, such were the questions with which she was besieged in the maternity ward when she was about to give birth to her first child, me. As the labor pains became advanced and she was rolled into the hospital’s delivery room, the nurses on duty were still far more pre­occupied with the plot developments of the dramas they had heard her nar­rate on the radio. This family legend of fandom gone amok at the scene of my birth offers a unique glimpse into the way people could be mesmerized by stories in the form of sound broadcast in the days before television be­came the predominant mass medium. What was it like then, when it was an ordinary matter to be hooked into a fictional world purely through sound?

A few years later, when I reached the age of five or six, I experienced firsthand something of my mother’s aura as a popular broadcaster. I was sit­ting in a movie theater with some older friends, who had taken me to see a film adapted from one of her radio plays, Yun hoi sheung chor/ Renhai shuang chu (Two young children in the human world). That much was what I consciously knew. To my great surprise—and in a luminous im­age that has remained vivid in my mind to this day—my mother appeared on the screen as the film began. As though I had been transported to an unfamiliar locale in a dream, everyone around me started clapping. “This is Mama,” I remember thinking matter-of-factly, sitting in the dark, mysti­fied. “Why are people applauding her?” But the crowd’s enthusiasm quickly took me over. Without understanding what was happening, I joined in and started clapping as well.

My mother had been filmed as the narrator, offering an introduction (jui sut/xu shu) to the story that was to unfold within the next couple of hours. She was, if my memory is correct, seated at a desk, addressing the audience directly. In the broadcasting world of Hong Kong in the 1950s and 1960s, she was a widely recognized name, known for her many successful radio plays, some of which were adapted for film. Her personal appearance in Yun hoi sheung chor was, I suppose, part of the film company’s strategy of promotion.

I was of course unaware that epochal changes had been taking place in the mass media even as I gleefully participated in the audience’s celebration of my mother’s image on the screen. The happenings of a middle-class up­bringing, the little wonders, mysteries, expectations, and sorrows that con­stituted my daily life as a precocious schoolchild in a British Crown colony in the Far East were, in retrospect, happenings of historical import—but only in retrospect, when I have acquired a certain perspective and vocabu­lary in which to talk about them in a more impersonal manner.

(more…)

Wednesday, September 24th, 2014

Rey Chow on Derrida and the French Language

Rey Chow, Not Like a Native SpeakerIn her new book Not Like a Native Speaker: On Languaging as a Postcolonial Experience, Rey Chow examines misgivings about the inequality of the encounters between European and non-European languages in the postcolonial world.

In the following passage, Chow considers Jacques Derrida’s complicated with the French language as a result of his upbringing in colonial Algeria:

Among the details Derrida narrates, those about his intimate relations to things French—French history, French literature, the French language, and other French speakers’ accents—are the most captivating, in large part be­cause of his mildly exhibitionistic and often self-flagellating sense of candor. The study of French literature, for instance, is an injunction of segregation as much as it is an experience of cultural assimilation. Not only does such study reinforce the haughtiness of the literary mode of reference and mean­ing making from nonliterary culture, but it also effectuates, he writes, “a brutal severance . . . fostering a more acute partition: the one that separates French literature—its history, its works, its models, its cult of the dead, its modes of transmission and celebration, its ‘posh districts,’ its names of au­thors and editors—from the culture ‘proper’ to ‘French Algerians’ ” Derrida’s description here is resolutely unsentimental, conveying a fi rm sense of the traumatizing cuts and cut-offs that constitute colonialism’s gov­erning routines.

To the important analyses of literature as an ideological form—such as those advanced in the 1970s by Renée Balibar, Étienne Balibar, Pierre Ma­cherey, and others in their studies of language practices within the French national education system—Derrida has articulated the crucial dimension of colonialist racialization. His account, it may be said, supplements the so­cialist logic pursued by these other thinkers by illuminating how the “reality effects,” so to speak, of the elite forms of the French language (français lit­téraire or français fictif ) are outcomes of carefully implemented racial as well as class segregation. Indeed, from the perspective of the colonized, as Der­rida suggests, it is impossible to experience the one without experiencing the other.

(more…)

Tuesday, September 23rd, 2014

Interview with Rey Chow, author of “Not Like a Native Speaker”

“My book asks: can there be other ways of coming to terms with loss? Can loss be perceived, however painfully, as an alternative beginning to something different?”—Rey Chow

Rey Chow, Not Like a Native SpeakerThe following is an interview with Rey Chow, author of Not Like a Native Speaker: On Languaging as a Postcolonial Experience:

Q: How does the issue of language or “languaging” provide new ways of thinking about the colonial and postcolonial experience?

Rey Chow: The issue of language is, of course, a longstanding one in colonial and postcolonial experience, and anyone working in the field of postcolonial studies of the past several hundred years needs to come to terms with it in one way of another. The confrontation between languages and cultures in the classic colonial situation, in which some languages and cultures are considered superior while others, typically the native ones, are deemed inferior, has created psychic, cross-cultural, institutional, and geopolitical effects that are still very much with us today. These effects inform not only worldwide communications in public settings but also some of our most intimate contacts on a daily basis (e.g. How to talk to friends or loved ones who have no awareness of such effects?) Paying attention to language—in the larger sense of cumulated habits, conventions, gestures, and tendencies that I designate by the term “languaging”—is thus a logical, perhaps indispensable, way of understanding the colonial and postcolonial experience. Indeed, as my subtitle indicates, to languaging itself is a form of postcolonial experience.

In French and Francophone postcolonial studies, extensive philosophical reflections on language as experience are quite common, but it is not the case in Anglophone postcolonial studies. One of the aims of this book is to address this disparity by highlighting questions of languaging in Anglophone postcolonial debates. In addition, the book introduces a third language and cultural area—Chinese, as used in Hong Kong under the fraught conditions of British colonialism and Chinese nationalism—whose contributions to postcolonial studies can be uniquely fascinating.

Q: You suggest that the colonized’s encounter with the colonizer’s language is usually depicted in negative terms. How does your book challenge this characterization?

RC: The negative terms I am referring to have to do with the predominant feeling of loss that pervades many postcolonial scholarly undertakings. This overpowering sense of loss is a logical outcome of what I call the confrontation between languages and cultures on unequal terms, which is registered by the colonized and their descendants as violation and injury, followed by profound melancholy. My book asks: can there be other ways of coming to terms with loss? Can loss be perceived, however painfully, as an alternative beginning to something different? Thus, in the various chapters, I read a number of authors—e.g. Chinua Achebe, Walter Benjamin, Michel Foucault, Paul Ricoeur, Derek Walcott, Leung Ping-kwan, Ma Kwok-ming, among many others—as striving for an alternative kind of response to loss as inscribed in various types of encounters with language, tradition, community, and creativity. It’s a collective undertaking, clearly unfinished, but I think it is important to engage with it because of its dissonance from the more pervasive trends of melancholic longing often found in postcolonial studies.

(more…)

Monday, September 22nd, 2014

Book Giveaway! “Not Like a Native Speaker,” by Rey Chow

“[A] unique map for the postcolonial criticism of the future, one informed by rigor and unafraid of judgment.” — Simon Gikandi, Princeton University

This week our featured book is Not Like a Native Speaker: On Languaging as a Postcolonial Experience by Rey Chow.

In addition to featuring the book and the author on the blog, we will also be posting about the book on twitter, and facebook.

We are also offering a FREE copy of Not Like a Native Speaker: On Languaging as a Postcolonial Experience to a lucky winner. To enter the contest please e-mail pl2164@columbia.edu and include your name and address. The winner will be selected Friday, September 26 at 1:00 pm.

Read the introduction, “Skin Tones—About Language, Postcoloniality, and Racialization”:

Friday, September 19th, 2014

Test Your Flying Dinosaur Knowledge!

We’ve spent the past week featuring Flying Dinosaurs: How Fearsome Reptiles Became Birds by John Pickrell and now’s your chance to see much your really know about dinosaurs, flying and otherwise.

CredSpark recently created a quiz specifically about the book with 10 questions ranging from why dinosaurs grew feathers to what scientists have recently discovered in the fossil record.

And, for more on the book, you can also read “A Whole New World,” the introduction to Flying Dinosaurs:

Thursday, September 18th, 2014

An Interview with John Pickrell, author of “Flying Dinosaurs”

Flying Dinosaurs, John Pickrell

“Dinosaurs are very much still alive, and are more successful and numerous in terms of species numbers now than they have been at any other point in their roughly-230-million-year history.”—John Pickrell

The following is our interview with John Pickrell, author of Flying Dinosaurs: How Fearsome Reptiles Became Birds:

Question: Are dinosaurs still among us?

John Pickrell: Dinosaurs are very much still alive, and are more successful and numerous in terms of species numbers now than they have been at any other point in their roughly-230-million-year history. This is because birds are dinosaurs; they evolved from within the speedy, bipedal group of predators called theropods, which includes such creatures as Velociraptor and T. rex. Birds are not only the descendants of the dinosaurs—they actually are living dinosaurs. They are simply a small, specialized flying form of theropod. Right now there are nearly ten thousand known living species, and perhaps as many as four hundred billion individuals flitting about on the planet.

Q: What did dinosaurs use feathers for?

JP: Since the first dinosaur fossil with feathers was discovered in China in 1996, around 40 species have been found with feather impressions or direct evidence of feathers of some kind. This has shown us that feathers existed in dinosaurs long before they had any purpose in flight. Feathers are so entwined in our minds with flight, this seems counter-intuitive, but flight feathers are highly specialized structures and can’t have appeared fully formed. We now know feathers had an entirely different purpose initially. The earliest feathers we see on dinosaur fossils are simple, fluffy filaments, like the down of a chick, and they were used for insulation. Only later were feathers co-opted for display purposes and eventually for flight.

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Wednesday, September 17th, 2014

Video: John Pickrell Talks Flying Dinosaurs with ABC News

In the following video, John Pickrell, author of Flying Dinosaurs: How Fearsome Reptiles Became Birds talks with Australian TV about recent discoveries about dinosaurs. Calling it a “Golden Age” in dinosaur research, Pickrell discusses the likelihood of feathered dinosaurs, recent research comparing dinosaurs and chickens, the new Jurassic Park movie, and much more:

Tuesday, September 16th, 2014

Flying Dinosaurs in Action!

Needless to say, one can hardly think about flying dinosaurs without wondering what they looked like. Flying Dinosaurs: How Fearsome Reptiles Became Birds by John Pickrell includes several illustrations of flying dinosaurs based on scientific evidence. Here are few of examples from the book:

Flying Dinosaurs
Four-winged flier: Discovered in 2009, 161 million-year-old Anchiornis huxleyi pre-dated the “first bird” Archaeopteryx and helped solve the confusing “temporal paradox”. Until then, all known feathered dinosaurs were younger than Archaeopteryx, so couldn’t have been ancestral to it. Instead, experts now think Cretaceous forests were home to a mixture of feathery dinosaurs and early birds. (Source: Julius Csotonyi)

Flying Dinosaurs
Pitstop: Early birds were contemporaries of a diverse fauna of bird-like dinosaurs, such as Tyrannosaurs rex, during the Cretaceous period. (Source: Luis Rey)

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Monday, September 15th, 2014

Book Giveaway! Win a FREE copy of “Flying Dinosaurs”

Flying Dinosaurs: How Fearsome Reptiles Became Birds

“A marvelous book. The moment life took to the air—caught in stone!” — Tim Flannery, environmentalist and paleontologist

This week our featured book is Flying Dinosaurs: How Fearsome Reptiles Became Birds, by John Pickrell.

In addition to featuring the book and the author on the blog, we will also be posting about the book on twitter, and facebook.

We are also offering a FREE copy of Flying Dinosaurs: How Fearsome Reptiles Became Birds to a lucky winner. To enter the contest please e-mail pl2164@columbia.edu and include your name and address. The winner will be selected Friday, September 19 at 1:00 pm.

Mixing colorful portraits with news on the latest fossil findings and interviews with leading paleontologists in the United States, China, Europe, and Australia, John Pickrell explains and details dinosaurs’ development of flight. This special capacity introduced a whole new range of abilities for the animals and helped them survive a mass extinction, when thousands of other dinosaur species that once populated the Earth did not.